Category Archives: Muse

Writer Within

Definition of a writer: One who sits alone at a computer for hours on end at various times of the day or night, immersed in words, language, and ideas, questioning at regular intervals about the sanity, and sanctity of such an activity; yet, unable to resist.

Putting ourselves out there in any aspect of life is extremely difficult and wrought with the inner tinkling of should haves, what ifs, exuberance, doubts, and then conviction. It’s so hard to be vulnerable. Is this though, also where we find the greatest gifts? I am clinging to that idea. I do believe that when we allow others into our lives, share true emotions and experiences, we initiate, ignite, and inspire the best in one another.

We are immensely interested in other people’s lives. It has become an obsession. We are glued to the television as the Bachelor kisses and says goodbye; as any Kardashian on any given day, marries, divorces, gains weight, shops, or has lunch with a friend. There does, though, seem to be some distinction between what we see and what we read. Words are powerful. They are emotive, capable of great manipulation and often ripe with subtext. And watching life as it unfolds on the screen gives us the illusion that it is accurate. Is seeing believing?

There are some brave writers. Joan Diddion, The Year of Magical Thinking, is a memoir of grief that is painfully raw. It’s impossible for me to imagine how she could give so much of herself. How can someone be so honest? Certainly as writers, we use fragments from our own lives in characters, or springboards to stories. Alice Monroe in an interview in “The New Yorker” about Dear Life, reflects, “I have used bits and pieces of my own life always, but the last things in the new book were all simple truth.”

Simple truth. I love that. I find these kinds of writers courageous, and liberating. It is breath taking to be able to take the risk of sharing the mechanisms of our lives with the world. The truth is I am always struggling with the ying and yang of how much of myself to give to a story, and yet fiction is from life. It’s not straightforward.

I’ve written a book, and it will be published this year. Conversations for Two is the story of a woman, who in the most serendipitous way comes in to possession of her brother’s box of poetry and journals twenty-five years after his death. The story unfolds within her journey to interpret his life through the words he left behind, trying to make sense of his death, her role in it, and chasing the illusive ‘why’. It has roots in truth and wings in fiction.

Writing our stories is not the kind of voyeurism, the ‘reality’ we see on television, where people sign on to portray their lives for entertainment. When we read a story that reaches inside of us, and takes us alongside the journey, it’s a very powerful trip indeed. And, yes, I do believe, that there is a gift, a silver lining, in collecting our lives and sharing our writer within.

Light

I am in a tree house. So it seems. I can look out three walls of windows to the back garden. I am high up. It’s the way the landscape goes, sloping down from street level to the ravine. It’s been raining. Now it gets dark so early. There are exterior spotlights from the house beyond and I can see their reflections on the slice of wet driveway that anchors the hill sloping down to the stream. The windows of the house are stacked one on top of the other for three stories. I can’t see inside but I can tell that there is a lamp casting a red glow as well. Maybe it is on a side table beside a chair. Someone just turned it off.

I wonder if they can see me sitting at my kitchen table, looking, and typing on my computer? The chandelier is from my mother’s house, hanging over what was also her dining room table. Her table is much more casual now, and doesn’t get wiped with vinegar and water once a week by the cleaning lady who came on Tuesdays. Now it sits here covered with daily newspapers, books, a cup of tea with honey, place mats, scattered. The chandelier is reflected five times in the black of the windows. Actually more. Each of the reflections has echoes. It could be a ceiling of magical lights above a dance floor at a very fancy party. There is no music, but I can hear a guitar somewhere, perhaps. There is one leaning against the wall in the other room. Maybe someone will play it. I can see myself as well. Black top, black pants, hair haphazardly tossed in a clip, framed in a dark window, sitting on the very edge of the chair, hmmmmm, like my mother did. She never sat all the way on the chair. Always ready to attend to us at any time, her apron tied with a bow. She tucks her hair tucked behind her beautiful little ears and leans in. One foot curved around the mahogany leg of the chair like a ballerina. There should have been diamonds, and an organza skirt swirling across the dance floor. And, oh, those rows of glass baubles and bulbs in my windows… reflections.

The trees are now almost bare, a few leaves hanging on. I can just see dark branches in the night and the trunks like stoic sculptures, standing in rows of silhouettes because of the windows and their light. There are two buildings and a drive in between and through this nighttime path I can see the yellow-white headlights and the red tails passing by in either direction. A car is coming down the drive. The headlamps flare. A dragon.

Big drops of rain coming now, like the unlikelihood of a platypus readying to jump off the flat roof in to a puddle. There is a scene in Hitchcock’s, Rear Window. Remember? James Stewart. Broken leg. In a wheel chair watching the domestic scenes play out through the windows of the surrounding apartments, as he concocts their stories. What else could he do? I am looking out the picture windows too, at the life stories that are my border. Christmas lights trailing along the trees of a backyard, shifting focus like the turn of a kaleidoscope. I would have chosen all white. Another house illuminated. A party. Lit for royalty. I heard that somewhere. A siren rises and falls. I sense him before I hear the key in the door. Prickles, like the childhood rhyme, ‘criss-cross, applesauce, spiders crawling up your spine, cool breeze, tight squeeze’…. The mandarin patchouli cologne still on his sweater. We bought it together one afternoon. On an afternoon that felt something like love; the body remembers.

I know these windows well. I have observed the passages of light across the day. In the morning the light will break, white before it turns to blue, and although the sunrise is blocked I can feel it through the windows, and a white circle pokes from the trees at some point. It’s as if this lamp that glows at night has been turned on during the day and is projecting, white on white. I can almost hear it; like the buzz through the electrical lines. To my left there is a birdhouse knocked in the bark of the tree with a nail. No birds there. Mostly squirrels. Having a rest or playing hide and seek.

The birds wake with the light as well. Instinct. In the summer the red cardinal starts on the tree. Sits on the iron back of the chair, and perches on the stone seat. Catching the light on its red feathers. Never in one place for very long. It does the same thing everyday. I have learned to watch the light as it passes over and through the garden so that I know where to plant things. I can imagine all this through the dark of the window. The stalks of lavender, peonies in May, hydrangeas turning from green to white, as if the garden is lit, but it’s not lit now; no candles in the lanterns. It is winter, after all, and the chandelier reflects in the dark windows.

That Kiss

I love watching movies. There are those scenes that project on my inner screen, and songs that inseparably accompany key moments. Almost Famous; the bus scene singing Tiny Dancer – I was right there. There are nuances that feel like they write my life, and characters I could step in to. And, of course great style cues, Audrey Hepburn, and significant good hair days, Meg Ryan. If my life were cut as a movie trailer it would have to include a segment or two from the chronicles of my filmography.

When I was a girl we had an Admiral television set. You know the kind that was housed in a mahogany cabinet like a piece of furniture and was the focal point of any upstanding side-split it the sixties. The Wizard of Oz played once a year with an introduction by Danny Kaye. It was truly event television. On that night we ordered a pizza and got the blankets and pillows ready to camp out on the carpet in front of the TV to watch the film. This movie is noteworthy for me, not just because of the forever enchanting story, or the magic of black and white turning to colour, or every unforgettable song, but because as cliché as this sounds, it made me believe and ignited my imagination.

I simply adore Breakfast at Tiffany’s. Each scene has a moment that captivates me. One of my favourties is when she is sitting on the window ledge at the fire escape, wearing her signature cropped pants, flats, and a scarf around her head, playing the ukulele and singing Moon River. All the trimmings of Holly Golightly are stripped away here and she is at once so vulnerable and at peace. If my life had a sound track it would be Audrey Hepburn singing Moon River. Here is a fun fact. At the first screening of the film at the preview, the head of the company at that time, said “Well we can get rid of that song.” Audrey stood up at said “Over my dead body.”

Silver Linings Playbook, It’s Complicated and Something’s Got to Give are my ‘Live, Laugh, Love’ of recent chick flicks. At any given moment I can be Jennifer Lawrence in a dance competition, Meryl Streep smoking a joint in the bathroom, or Dianne Keaton, living in what I imagine to be my natural habitat – white beach house, and collecting white stones and shells along the shore. Not to mention she is a writer. Aside from the dance, sand and weed, at the crux of each film is that angst of heartbreak, disappointment interwoven in charming and serendipitous ways of dealing with the pain. If I see myself as a character in a film, it would be in that way. Stumbling upon the kinds of experiences we create or fall in to as we discover who we are, and how to get through the day. And, just like the dance scene in Silver Linings, each piece, each step of our journey collaborates and culminates in the acceptance and embracing of the life we have.

The secret is out. I am a hopeless, wearing my heart on my sleeve, romantic. So, I will close with Cinema Paradiso because the cinema of our lives should most definitely end with ‘that kiss’. I can still remember being in the theater mesmerized. It’s a small film and packed with so many beautiful little cinematographic intimacies. Here is the montage of kisses that closes the film with the stunning love theme soundtrack by Ennio Morricone

And also a photo montage with the names of the almost fifty iconic kisses that appear.

Fini

“Which way do I go from here…”

The sun is setting in musty red clouds. The trees have shed their ice and are mostly upright again. The crystalline palace of ice that petrified our city has melted, like giant sobs relinquishing the tress. It feels like a miracle. The year has come to a close and there is the tendency to reflect and make resolutions and determine how we will change our lives in the coming year. I’m done with lists, losing weight and promising to exercise more. Suffice it to say that I have ticked an all-inclusive ‘yes I should’ to accommodating, changing and rectifying any pieces of my life as required.

The past few nights I haven’t sleep much. How am I going to get everything done? How am I going to accomplish my dreams, create income, grow Recipe for Life Club and get my book published? My daughter is getting married in 6 months… I have a fundraising event that is coming up in May and needs much attention. My mind is filled with different scenarios, and what ifs and plans, and dreams. Somehow one minute it is January and then it’s May. There is so much to accomplish. But, most of all, in order to put all these pieces together I need peace of mind, balance and clarity.

Sometimes I feel like Alice opening doors, changing sizes and directions, and sipping potions along the road of happenstance. “Would you tell me, please, which way I ought to go from here?’ said Alice. ‘That depends a great deal on where you want to get to,’ said the cat.” (Lewis Carroll, Alice in Wonderland)

I am blessed to have the worry of such things. In these precious first days of a new year, of a beginning, I want to take the time to be still and allow my mind and body to come in to focus. To find a way to believe that all my aspirations are possible and that I have the power within me to succeed. For me, it’s a matter of keeping going, moving forward, not getting too muddled by the multitude of thoughts and ideas that are vying for my attention, and practicing the art of perseverance.

My wish for 2014 is to find that inner peace and clarity that translates to the kind of focus that makes dreams come true. “…as long as I get somewhere.’ Alice added as explanation. ‘Oh you’re sure to do that,’ said the cat, ‘if you only walk long enough.”

Peace and joy to all in 2014.

Image from Alice In Wonderland by Lewis Carroll – chapter 6.
Found at http://en.wikipedia.org/?title=Portal:Cheshire/Selected_picture/Archive

Perverse Beauty

I hear the ice storm from the open window in my bedroom. The pellets sting the roof and assault the already frozen ground. In the light of the street lamp I can see the trees turn to crystal. A perverse beauty. Then the boughs cry and crack as they peel and fall shedding droplets of ice like glass shards shimmying to the ground and spraying as the branches crash. All night long.

In the morning, it’s still raining ice. The twenty-foot evergreens that line the side of our property are broken and bent in mercy of the storm. My birch is arched. The trees are covered in ice, articulating their branches and forming little ice buds that would have been spring. The sky is white. The fallen warriors of the night are strewn over my driveway and yard. It’s a massacre of trees. The maples that stand stoically close to the house are precariously bowed over the roof and suspended in frozen time.

Our house resembles a set from a Tim Burton film. It’s the house that people slow down to look at as they drive by or walk their dogs. I am grateful for my neighbours who came to the rescue, dragged the branches from the drive, chipped the shell off my car, and then carefully removed the branches that were hanging from the hydro wire, strung above my car. Because of them I have power and mobility, food and wine.

Last night the half moon lay horizontally in the sky, as if a table of ice was weighing it down as well. In my garden, the black iron lawn chairs lay still under the glass branches. The white chair with the curvy legs has become a still life against the landscape. The lanterns wait for a candle to be lit. It is hard to imagine blooms will come again.

And now, another day has passed. The third morning is breaking after the storm to frigid cold and a dusting of snow. The street lamp is still on.

(Toronto Ice Storm – December 22, 2013)

Something from the Heart

Share a recipe from a kitchen that is tried and true and your story too. A recipe you love and a story about yourself, a friend, mother, sister, grandma, father, husband, anyone in your life. Tell me about the person who gave you the recipe, or an occasion where it was served, a funny, charming or irresistible moment, an anecdote, a detail of life, a memory, or those indispensable words of wisdom that will remain in your heart forever.

Thank you Martha

I was in my early twenties and drowning in the boredom of a degree in sociology. I signed up for a 6-week dance program for credit in the summer after my second year. I had never danced before. That summer I studied jazz, contemporary and Spanish. I fell in love with modern dance, more specifically, with Graham technique. There was something about it that intuitively made sense for me. When I was immersed in the classes my mind and body were truly functioning as one. I had never experienced anything like it.

There is something tremendously empowering about the idea that movement begins at our core and translates, explodes and releases out of our extremities. What I didn’t realize until now was how much Martha Graham’s life philosophy resonated in my mind as well as my muscles and bones. I recently watched a Tribute to Martha Graham narrated by Gregory Peck on youtube. She says that her vocabulary of movement is a “how to of how to move through life”. It studies the relationship of the body to the mind and the body to the spirit. Her technique focuses on the breath, “to breathe life in or expel it, it is intrinsic to the body and to movement.”

This is what the body remembers. My body remembers the language of the movement, and it has absorbed the underlying philosophy. And now it makes complete sense to me, our wisdoms are housed in our muscles and bones, in our blood. “How many drops of blood have gone in to the making of you – how much memory is in the blood.” She translated her life into a series of movement; I have translated mine in to words.

“I do believe in the sanctity of life and of energy. Life isn’t giving up, it’s moving on.”

I went to The Toronto Dance Theatre to take a class. I inhale my youth as I enter. My body doesn’t realize it has aged, and my inner dancer takes over. Perseverance. Commitment. Determination. Lots of deep breathing. I find a piece of dance floor real estate far enough away from the mirror that my reflection is respectable.

Five, six, seven, eight, the piano accompanist find the melody on the keys and my body miraculously finds the rhythm and astonishes me with it’s memory of the moves. My inner core is at one, and I close my eyes, which proves to throw me off balance, but I quickly re-group. And then, the across the floor routines, this is where you line up, individually or in small groups and leap, jump, chasse, triplet, scurry or glide across the floor. I was floating, prancing, breasts flopping up and down, three four, across the floor, sucking in my stomach, five, six, remember to breath, seven, eight, how ridiculous do I look, and again…

The truth is I enjoyed it. My knees not so much. It felt good to dance again. And, sometimes when I caught a glimpse of myself in the mirror, I could actually see the dancer in me, a little fuller and my lines not as elongated, but still co-existing. And, I realized that dance is just as much about my head as my body.

Dance is a metaphor for our lives. Thanks Martha. It’s about being in alignment, and it starts at our core, one, two, and reaches up one vertebrae at a time, three, four, and lengthens to root us at the ground, five, six, inspire, inhale, and release the energy as it emanates from us, seven, eight.

Triplets

I have this thing that I do. Well, let me just add an addendum. When I do this, it is wonderful. It makes a difference in my life. And I am going to re-commit myself to this process and hope that you will join me.

It’s how I start my day when I am at my most productive, creative and focused self. It’s a technique that I call triplets. It is equal time of meditation, stretching and writing.

It doesn’t matter if it’s a minute each or twenty minutes each. What matters is the discipline of the doing of all three components. Daily is best. But, if not daily then designate specific days and stick to it.

Meditation: Easy meditation. Sit cross-legged on the floor or pillow. Or, sit on a chair with both feet on the ground and your legs not crossed. Straight back. Open heart. Hand placed gently on thighs. Eyes are softly open or gently closed. You are not trying to tune out the world; you are practicing tuning in to yourself. All you do is focus on the breath. Notice your inhale and your exhale. That’s it. If a thought trails across your mind, watch it go by and don’t give it attention. Listen to the rhythm of your body in the breath. It’s not big deep cleansing breaths; you haven’t had time to be stressed yet! It’s simply breathing in and breathing out.

Stretching: Create a series of movements that feel good for you. I like to do a few sequences of salutation to the sun. But honestly, it’s the idea of moving your body in ways that give you a sense of release and centering. Stretch your arms above your head, up to your tip toes and take a deep breath, and then release the breath and fold your body reaching your hands to the floor, let your head hang gently and feel the stretch and release along your spine and the backs of your legs. Gently come up one vertebra at a time. Repeat. It’s that simple.

Writing: Take out your journal. Write by hand. No computer. Open to a page. Date it. Write about anything you want. How you felt about your breath. What you are worried about. Good things in your life. Gratitude. Fear. Anxiety. People. A poem. What you see out the window. What you dreamed about last night. What are your dreams? You get the idea. The only rule is that it has to be hand written and it has to be timed. You are not writing a novel. You are just writing for it’s own sake. And whatever comes out is good.

That’s triplets. Practice this. Start with 2 minute of each as soon as you get out of bed. Set the timer on your phone so that you know your beginning and your end of each section. Work up to ten minutes each. Then treat yourself to a lovely glass of water, some tea or a coffee. It is an amazing beginning to your day. Let me know how it’s going.

Is it in the stars?

Are we living the lives we were meant to lead, are we happy, are our lives within our control, or is it written in the stars?

I have written a book. It has taken me years, and years….and years. It is not published. I have received seven really flattering rejections. “Exceptional writing” “A beautiful, touching story, I’m sure you will find a publisher.” “Your use of language is exquisite.” But they are not taking on my book. A girl could get depressed. But, there is always the dream, and the belief that someday IT will happen. My book will get published, my articles will appear in The New York Times, and I will be one of those first time authors whose book becomes a movie. Am I delusional, have my eyes been covered with rose coloured glasses for too long, or does perseverance gallantly mount the white horse at some point?

My hope is that along the road of perseverance the white horse will gallop beside me and a very handsome publisher will swoop me up, and drop me off at Harper Collins.

The icing on the cake

A pair of shoes can simply change your day. Really. Look what happened to Marie Antoinette. Those exquisitely lined shoeboxes with sumptuous brocade, jewel-encrusted slippers in marvelous colours, were indeed the icing on the cake. Cinderella, in a charming deceit, leaves a glass slipper behind, taking our prince on a romping road trip around the countryside. The Wicked Witch of the East, dies in a tragic house falling, which bequeaths the dazzling ruby slippers to Dorothy, sending her on an inspired journey down the yellow brick road. Shoes are deep. Were the Manolo’s the accidental aphrodisiac that finally led Big to tie the knot?

Shoes have a certain way about them; the intrinsic pedestal on which a woman is propped, the true tell-tale of our inspiration. A pair of jeans partnered with flats, stilettos, or boots insinuate very different ideas about the woman who wears them. But, we, and I do mean it as the conspiring ‘we’, know this. That playful little arch in our back from a pair of high heels, the strategic power of hose and pump, that rock star sensibility of great boots.